{"id":53128,"date":"2025-11-07T07:30:12","date_gmt":"2025-11-07T11:30:12","guid":{"rendered":"https:\/\/piel-l.org\/blog\/?p=53128"},"modified":"2025-11-07T08:40:45","modified_gmt":"2025-11-07T12:40:45","slug":"la-historia-clinica-al-pie-del-arte-cuadro-de-sir-luke-fildes","status":"publish","type":"post","link":"https:\/\/piel-l.org\/blog\/53128","title":{"rendered":"La Historia Cl\u00ednica al pie del Arte. Cuadro de Sir Luke Fildes"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Sir Luke Fildes plasma la angustia e impotencia de este m\u00e9dico de familia, en el lecho de muerte de una ni\u00f1a, probablemente con una enfermedad infecciosa terminal, neumon\u00eda, meningitis. En la Navidad de 1877, el hijo mayor de Sir Fildes, Philip, muri\u00f3 al a\u00f1o de vida a causa de una tuberculosis, pese a los excelsos cuidados del Dr. Murray, m\u00e9dico de familia, solidario, q estuvo junto a \u00e9l en este terrible proceso.<\/p>\n

Fildes en agradecimiento a la dedicaci\u00f3n de este m\u00e9dico y sus frustrados esfuerzos por salvar a su hijo. A\u00f1os m\u00e1s tarde por encargo de Sir Henry Tate, realiza la pintura \u201c The Doctor\u201d.<\/p>\n

Esta pintura se convirti\u00f3 en su \u00e9poca en un estandarte del compromiso humanista y la frustaci\u00f3n ante la imposibilidad de sanar en una \u00e9poca con tan pocos recursos terap\u00e9uticos, que a\u00fan persisten para una buena parte de nuestra poblaci\u00f3n.<\/p>\n

Si no se puede curar<\/em>
\nSe debe ayudar,<\/em>
\nSi no consolar<\/em>
\nY si no acompa\u00f1ar.<\/em><\/p><\/blockquote>\n

Moore J. What Sir Luke Fildes’ 1887 painting The Doctor can teach us about the practice of medicine today. Br J Gen Pract. 2008 Mar;58(548):210-3. doi: 10.3399\/bjgp08X279571. PMID: 18318983; PMCID: PMC2249807<\/em>
\nLa Pr\u00e1ctica M\u00e9dica y su representaci\u00f3n art\u00edstica: a comment on Sir Luke Filde\u00b4s painting \u201cThe Doctor\u201d. Rev Med Chile 2013; 141: 1489-1490<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Ricardo P\u00e9rez-Alfonzo<\/strong>
\nLa Dermartolog\u00eda en la historia. Dermatolog\u00eda y Arte<\/p>\n","protected":false},"author":108,"featured_media":53129,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,135],"tags":[],"class_list":["post-53128","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-dermatologia-y-arte","category-historia-de-la-dermatologia"],"_links":{"self":[{"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/posts\/53128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/users\/108"}],"replies":[{"embeddable":true,"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/comments?post=53128"}],"version-history":[{"count":0,"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/posts\/53128\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/media\/53129"}],"wp:attachment":[{"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/media?parent=53128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/categories?post=53128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/piel-l.org\/blog\/wp-json\/wp\/v2\/tags?post=53128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}